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Among the better deep cuts is "Yellow Tape." A lurid rumination on the downside of fame, its foreboding hook has a lingering effect lasts almost as long as the album itself. Beneath better singles such as "Questions" (a dancehall-pop number cleverly referencing Kevin Lyttle's "Turn Me On"), "High End" (a sleek, almost ambient cut with Young Thug and Future), and "Confidence" (possibly Brown's most winsome song since Exclusive), there's some depth, though it does require sifting. The stand-outs are enough to make for a 45-minute listen that surpasses his previous album, and clearing out the tracks on which Brown's tenor slips from pleading to whining makes it easier to reach them with convenience. It's artistically conservative, at least by Brown's standards, covering his regular circuit of trap-styled slow jams, skeletal ballads, and brighter pop-oriented numbers, with the mood often swinging from playboy-hedonistic to sweet-romantic to scorned-acidic, sometimes within one track. Unlike most double albums, there's no concept here, and no attempt was made to separate the material into themes - perhaps for the better, so as to not add another layer of gimmickry. This abundance is a scheme to exploit the "consumption"-oriented data that drives chart placements. Termed a double album, Heartbreak on a Full Moon indeed fits on two CDs, but the track count is equal to that of the singer's three previous solo albums combined. Chris, along with his wife, Beth, talk about their ministry, their. Marriagetrac founder Jim Mueller recently chatted with Chris Brown of Elevation Worship, the worship ministry of the North Carolina-based Elevation Church that has become well-known for its powerful, Spirit-led original worship music. During the next two years, he was featured on roughly two-dozen tracks, including DJ Khaled's "Do You Mind," and let loose a glut of headlining singles that led to his eighth solo full-length. Elevation Worship, Chris Brown Interview. The rest of the album is more genre-compartmentalized.After Royalty was released toward the end of 2015, Chris Brown's market saturation strategy continued to play out and occasionally pay off. The most daring track on the album takes all of those elements and stirs them together: On “Till I Die,” genius producer Danja wraps alternating synths around a thick R&B backbone, while guest rappers Wiz Khalifa and Big Sean dart in and out between Brown’s vocals. The guy’s not afraid to take musical risks - over the weekend he released a thinly veiled Drake diss track that has him rapping rather than singing - but “Fortune” is a familiar mix of electro-pop, dance and R&B. “Fortune” is no “F.A.M.E” - it sounds like it, sure, but doesn’t move Brown to any new ground musically. That position is what allowed him to produce 2011’s game-changer, “F.A.M.E,” where he ditched the no-longer-appropriate puppy-love songs and debuted edgier dance tracks and more mature R&B ballads. That the world seems divided into three camps when it comes to Brown - those who will always hate everything he does, those who will always love everything he does, and those who have no idea who he is or what he does - frees him to do pretty much whatever he wants creatively. Fans who’ve stuck by him aren’t about to pick apart their idol, and those who would gladly dissect Brown’s every misstep and flaw aren’t exactly running out to buy - or even listen to - his music. Both “Don’t Judge Me” and “Stuck on Stupid” are sweet love songs that hark back to the singer’s seemingly long-ago years as a teen idol, but the titles may elicit snorts from those familiar with his history of bad acts (a 2009 assault on then-girlfriend Rihanna chief among them).īut most people taking the time to listen to “Fortune” are probably not interested in criticizing Brown. On the pulsating dance monster “Bassline,” Brown’s innocuous brag that “I got bottles” is tainted by the June nightclub incident in which Brown and rapper Drake allegedly hurled champagne bottles at each other in a fight over superstar Rihanna. There are a few moments on Chris Brown’s new album, “Fortune,” that the harshest critics of the 23-year-old singer might describe as unfortunate. Chris Brown became a teen heartthrob with R&B and pop hits that included 'Run It,' 'Kiss Kiss' and 'Forever.' In 2009, he physically assaulted his then-girlfriend, pop/dance star Rihanna, and. |
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